Marina Tamayo (bio)

Family tree, Carmona-Guerrero , Montes-Tamayo. – de Granada. 

FLAMENCO ARTIST Choreographer 

Marina Tamayo

Photo by M. Tamayo, Broken Hill, NSW 2021. Copyright. Do not use without permission.

Marina is described as an artist possessing ‘duende’ – gitana. Described as “a dancer that holds nothing back” Marina resonates with her cultural practise with dance.  Aitor Hernandez  (former dancer of the Nacional Ballet of Spain ) described Marina as  “one of the most powerful artists I have met on stage, crafting magic in her every movement”.

As a soloist, Marina has performed in theatre, commercial and independent television, short  and international feature film, national and international contemporary dance and curated arts festivals.  Her interest in artistic cutting edge and independent projects has been at the forefront of her performing career.

Photo by Kiah Ratcliffe, 2020 Maroubra Beach. Do not use without permission. 

Marina is a freelance teacher and choreographer.  Brought up and studying ballet, Jazz and Spanish Dance in Adelaide SA, she  moved to Sydney to pursue her teaching and performance aspirations. Her first position was at The Sydney Dance Company Public classes, Spanish Dance School, Spanish Club. After a few years freelancing in Sydney, Marina opened her own professional Flamenco studio and formed the company, Flamenco Australia, 1998.

Flamenco Australia success expanded internationally.  For twenty-five years, Flamenco Australia hosted international artists, produced major dance works, engaged Australian community in classes, tutorials, festivals and shows.  The company contributed to bridging the gap between the two countries, Australia and Spain. Flamenco Australia reached out to the international arts market, drawing artists to Australia to share their expertise in formal classes and performances. Tamayo produced and administrated study opportunities for dancers across Australia to Spain, for professional careers.

 

AWARDS

Finalist in the The Australian Dance Awards 2018,   for her ‘Service to Dance’, presented by the Australian Dance Council.

  •  Recognised for her commitment, passion and dedication to the arts, cultural community sectors and her extensive contributions of twenty five years which scope both regional, nation arts education, creative performance and arts business sectors.

Finalist,  2019 Australian Dance Awards for Outstanding Achievement in Choreography 

  • In 2020, Marinas collaborative dance company Hernandez Tamayo was Australia’s first Spanish Dance Company to be a finalist in the Choreographic awards for their work EMERALD. 

RESOURCES

Featured in several Spanish books, music videos and University research documentary thesis papers.

  • Roger James, Bringing Back the Damsons Meditative Poems
  • North Sydney Studio of Dancing, 
  • Nellie Bennet, Only in SPAIN – The New Season, Where’s your Culo?
  • Miguel Maestre Cooking Bookings, TAPAS Vol I & vol II. 

 

Photo by M. Tamayo Broken Hill, NSW 2021. Copyright. Do not use without permission.

CHOREOGRAPHER


As a choreographer, Marina is dedicated to quality and authentic creative process. As an advocate for social justice, Marina promotes inquiry inside and outside boundaries to promote discussion, challenge ideas, assumptions in varied contexts. The purpose of this deep inquiry is to contribute towards social change for equity in all living beings.</p>

Marina’s theatre works are guided by folklore and storytelling. These choreographies often explore human nature, our needs for connection and include personal narratives. Tamayo’s intentions for her dance performance and choreographic contributions connect and inspire her audience, to be a voice for the unspoken, to listen to the unheard and contribute to a more mindful society.

Marina specialises in theatre, television and film.   Choreographic clients include Wolf Blass, Emirates, Merrivale, SBS, Channel 7, Channel 10, FOX, Disney Kids, Australian Grand Prix, Soccer Australia. 

Artistic partnerships include, international artists Michael BoydAme Delves , Carmelo Pizzino (GPO Cabaret, 2005 – 2010); Aitor Hernandez   (Nacional Ballet of Spain) and Jesus Olmedo (London Flamenco Soul) from Madrid (Tablao, Theatre, 2009 – 2019).

Currently, Marina is working on a project to choreograph and perform on the feature film CARMEN by Benjamin Millepead.  Marina coached and worked on screen  alongside the talented actress from Pedro Amolvodovar films Rossy D’Palma Melissa Barrera (Film) from Scream, Paul Mescal who just finished the series Normal People. French Director/choreographer Benjamin Millepead  is a former dancer, choreographer of the American Ballet Theatre and Opera Ballet of Paris. 

In July 2021, Marina was offered a position as faculty character teacher of the ATOD, Australian Teachers of Dancing Certificate IV/ Diploma course for full time Ballerinas, at CB121 (Classical Ballet 121). Marina works alongside former Royal Ballet Company dancers Gillie Reevie and Iohna Loots.

 

 Long term clients include;

  • ambassador of culture Miguel Maestre in his marketing Spanish culinary campaigns and TV shows
  • Paulette Clark at Ribbleton Warmbloods as the worldwide MovementART Master instructor  
  • local business operator Kevin Bowen at Alegrias Spanish Restaurant, choreographing and managing their Spanish dance entertainment. 
  • Classical Ballet 121, Gillie Reevie Classical Ballet Full time Dance

 

Jesus Olmedo y Marina Tamayo

INERTIA. Photo by Adam Sills, 2016. Peacock Theatre, Tasmania. Copyright. Do not use photo without permission. 

Marinas objective to promote  Spanish and Gypsy culture for the Australian society is designed and delivered in a contemporary context.  

Photo by Cassie Strain, Hobart, Tasmania, 2019. Copyright. Do not use without permission.

Marina tirelessly worked in raising the level of professional practises within the industry. This was achieved by adhering to and aligning with safe dance practises, and self education. Academically, Marina committed herself to gain formal teaching and project qualifications to ensure professional standards are achieved. The following are some  academic studies;

  •  Degree in Bachelor of Education, Diploma in Audio Engineering and Production Engineering, Certificate in Project Management, Contract Law, Business Analysis, Effective Communications, Implementation of Projects. Further studies in both pianoforte classical piano at the Conservatorium of music and Theory of music, composition.

 

EMERALD. Photo by M. Tamayo. Hobart MOVES Contemporary Dance   Festival, 2018. Copyright. Do not use without permission. 

Press on this link below to see the short promo. 

emerald-definitve-promotion

EMERALD, crossed various dance disciplines, and was presented in a contemporary format.  It was constructed through an arts residency of Professor Kelly Drummond-Cawthon and premiered in Hobart, Tasmania, NSW  at the MOVE Contemporary Dance Festival. It was included into the Festival of Auckland Arts program and was presented at the Auckland Fringe, New Zealand season. The show received five stars and rave theatre reviews. EMERALD picked another award for its courtier costumes designed by James Penrose (Melbourne) and Hernandez Tamayo at the Auckland Fringe Festival, New Zealand, 2020 for ‘Best Costuming’.

Photo by Susan Sisel, Hernandez Tamayo in EMERALD 2018, Tasmania. Do not reproduce without permission.

Hernandez Tamayo company was supported by Professor Kelly Cawthon Drummond by offering a Artist in Residence in Moonah Arts Theatre to create and produce EMERALD. Further support was received by philanthropist Doctor Neralie Wise. The technical team included Aaaron Lee –  Music Editor, Jonathon Abatte Ramirez – Guitarist, Jason James – Lighting Design, Les Allistair – Set Design, and James Penrose  – Costume Design.

 

BACKGROUND

Marina is a classically trained musician and studied at The Conservatorium of Music in Piano, SA – SA School of Music studying music composition, School of Audio Engineering obtaining a Diploma in Audio Engineering & Certificate in Production Engineering, SAE Studios,  and has a Bachelor of Education from Curtin University.

Marina has studied Metaphysics, Contract Law, Critical Thinking at Macquarie University,  RAD and Cecchetti Ballet, and comprehensively studied Flamenco in Spain, mostly in Madrid  Granada,  and Jerez. 

Marina was the Founder and Director for the Adelaide Hills Performing Arts Centre, South Australian rep for ADAP – The Australian Dance Assessment Programme 1993 – 1998, and is currently the Director of Flamenco Australia , Co- Artistic Director of Hernandez Tamayo Spanish Dance Theatre, and Flamenco Sydney.

 

FOLKMENCO Photo by Sandi Sissel, 2017 Moonah Arts, Tasmania. Copyright. Permission needed to use photo.

As a choreographer, Marina is dedicated to quality and authentic creative process. As an advocate for social justice, Marina promotes inquiry inside and outside boundaries to promote discussion, challenge ideas, assumptions in varied contexts. The purpose of this deep inquiry is to contribute towards social change for equity in all living beings.

Marina’s theatre works are guided by folklore and storytelling. These choreographies often explore human nature, our needs for connection and include personal narratives. Tamayo’s intentions are for  her dance performances and choreographic contributions to connect and inspire her audience, to be a voice for the unspoken, to listen to the unheard and contribute to a more mindful society.

Photo not be used without permission. NSW 2021.

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